Part 26 (1/2)

”No. She's not here, Tommy. That's why you've come, isn't it?” Without waiting for his answer, she said kindly, ”Do come up and talk to Simon. He knows Helen better than anyone, after all.”

St. James met them at the door to his laboratory, an old copy of Simpson's Forensic Medicine in one hand and a particularly grisly-looking anatomical specimen in the other: a human finger preserved in formaldehyde.

”Are you rehearsing a production of t.i.tus Andronicus?” Deborah asked with a laugh. She took the jar and the book from her husband, brushed a kiss against his cheek, and said, ”Here's Tommy, my love.”

Lynley spoke to St. James without preamble. He wanted his questions to sound purely professional, a natural extension of the case. He knew he failed miserably. ”St. James, where's Helen? I've been phoning her since last night. I stopped by her flat this morning. What's happened to her? What's she told you?”

He followed his friend into the lab and waited impatiently for a response. St. James typed a quick notation into his word processor, saying nothing. Lynley knew the other man well enough not to push for an answer when none was forthcoming. He bit back his misgivings, waited, and let his eyes roam round the room in which Helen spent so much of her time.

The laboratory had been St. James' sanctuary for years, a scientific haven of computers, laser printers, microscopes, culture ovens, shelves of specimens, walls of graphs and charts, and in one corner a video screen on which microscopic samples of blood or hair or skin or fibre could be enlarged. This last modernity was a recent addition to the lab, and Lynley recalled the laughter with which Helen had described St. James' attempts to teach her how it worked just three weeks past. Hopeless, Tommy darling. A video camera hooked into a microscope! Can you imagine my dismay? My G.o.d, all this computer-age wizardry! I've only just recently come to understand how to boil a cup of water in a microwave oven. Untrue, of course. But he'd laughed all the same, immediately freed of whatever cares the day had heaped upon him. That was Helen's special gift.

He had to know. ”What's happened to her? What's she told you?”

St. James added another notation to the word processor, examined the consequent changes in a graph on the screen, and shut down the unit. ”Only what you told her,” he replied in a voice that was perfectly detached. ”Nothing more, I'm afraid.”

Lynley knew how to interpret that careful tone, but for the moment he refused to engage in the discussion that St. James' words encouraged. Instead he temporised with, ”Deborah's told me Vinney phoned you.”

”Indeed.” St. James swung around on his stool, pushed himself off it awkwardly, and walked to a well-ordered counter where five microscopes were lined up, three in use. ”Apparently, no newspapers are picking up the story of the Sinclair death. According to Vinney, he turned in an article about it this morning only to have it rejected by his editor.”

”Vinney's the drama critic, after all,” Lynley noted.

”Yes, but when he phoned round to see if any of his colleagues were working on the murder, he discovered that not one had been a.s.signed to the story. It's been killed from higher up. For the time being, according to what he's been told. Until there's an arrest. He was in a fair state, to say the least.” St. James looked up from a pile of slides he was organising. ”He's after the Geoffrey Rintoul story, Tommy. And a connection between that and Joy Sinclair's death. I don't think he plans to rest until he has something in print.”

”He'll never see it happen. In the first place, there's not one accessible shred of evidence against Geoffrey Rintoul. In the second place, the princ.i.p.als are dead. And without d.a.m.ned solid evidence, no newspaper in the country is going to take on so potentially libelous a story against so distinguished a family as Stinhurst's.” Lynley felt suddenly restless, needing movement, so he walked the length of the room to the windows and looked down at the garden far below. Like everything else, it was covered with last night's snow, but he saw that all the plants had been wrapped in burlap and that breadcrumbs were spread out neatly on the top of the garden wall. Deborah's loving hand, he thought.

”Irene Sinclair believes that Joy went to Robert Gabriel's room the night she died,” he said and sketched out the story that Irene had related to him. ”She told me last night. She'd been holding it back, hoping to protect Gabriel.”

”Then Joy saw both Gabriel and Vinney during the night?”

Lynley shook his head. ”I don't see how it's possible. She can't have been with Gabriel. At least not in bed with him.” He related the autopsy information from Strathclyde CID.

”Perhaps the Strathclyde team have made a mistake,” St. James noted.

Lynley smiled at the idea. ”With Macaskin as their DI? What do you think the likelihood of that is? Certainly nothing I'd want to make book on. Last night when Irene told me, I thought at first that she had been mistaken in what she heard.”

”Gabriel with someone else?”

”That's what I thought. That Irene had only a.s.sumed it was Joy. Or perhaps a.s.sumed the worst about what was going on between Joy and Gabriel in the room. But then I thought that she might very well have been lying to me, to implicate Gabriel in Joy's death, all the time protesting that she wants to protect him for her children's sake.”

”A fine revenge, that,” Deborah noted from the doorway of her darkroom where she stood listening, with a string of negatives in one hand and a magnifying gla.s.s in the other.

St. James crisscrossed the stack of slides absently. ”It is indeed. Clever as well. We know from Elizabeth Rintoul that Joy Sinclair was in Vinney's room. So there's corroboration, if Elizabeth's to be trusted. But who's to corroborate Irene's claim that Joy was also with her husband? Gabriel? Of course not. He'll deny it hotly. And no one else heard it. So it's left to us to decide whether to believe the philandering husband or the long-suffering wife.” He looked at Lynley. ”Are you still certain about Davies-Jones?”

Lynley turned back to the window. St. James' question brought back with stinging clarity the report he had received from Constable Nkata just three hours before, immediately after the constable's night of trailing Davies-Jones. The information had been simple enough. After leaving Helen's flat, he had gone into the off-licence, where he purchased four bottles of liquor. Nkata was completely certain of the number, for following the purchase, Davies-Jones had begun to walk. Although the temperature had been well below freezing, he appeared to notice neither that nor the snow that continued to fall. Instead, he had kept up a brutal pace along the Brompton Road, circling Hyde Park, making his way up to Baker Street, and ultimately ending at his own flat in St. John's Wood. It had taken over two hours. And as Davies-Jones walked, he twisted off the cap of one bottle after another. But in lieu of a swig of the liquid inside, he had rhythmically, savagely, dashed the contents out into the street. Until he'd gone through all four bottles, Nkata had said, shaking his head at the waste of fine liquor.

Now Lynley thought again about Davies-Jones' behaviour and concentrated on what it implied: a man who had overcome alcoholism, who was fighting for a chance to put his career and his life back together. A man rigidly determined not to be defeated by anything, least of all by his past.

”He's the killer,” Lynley said.

IRENE SINCLAIR knew it had to be the performance of her career, knew she had to gauge the proper moment without a single cue from anyone to tell her when it had arrived. There would be neither an entrance nor an instance of supreme drama when every eye was focussed on her. She would have to forego both of those pleasures for the theatre of the real. And it began after the company's lunch break when she and Jeremy Vinney arrived at the Agincourt Theatre simultaneously.

She was alighting from a cab just as Vinney dodged through the heavy traffic to cross the street from the cafe. A horn sounded its warning, and Irene looked up. Vinney was carrying his overcoat rather than wearing it, and seeing this, she wondered if his departure from the cafe had been prompted hastily by her own arrival. The journalist verified this himself with his first words. They were tinged with what sounded like malicious excitement.

”Someone got to Gabriel last night, I understand.”

Irene stopped, her hand on the theatre door. Her fingers were curled tightly round its handle, and even through her gloves she could feel the sharp stab of icy metal. There didn't seem to be a point to questioning how Vinney had come upon the news. Robert had managed to get himself to the theatre this morning for the second reading, in spite of taped ribs, a black eye, and five st.i.tches in his jaw. The news of his beating had travelled through the building within minutes of his arrival. And although cast members, crew, designers, and production a.s.sistants had smote the air with their hot exclamations of outrage, any one of them could have surrept.i.tiously phoned Vinney with the story. Especially if any of them felt the need to engineer a spate of embarra.s.sing public notoriety that would enable them to settle a private score or two with Robert Gabriel.

”Are you asking me about this for publication?” Irene asked. Hugging herself against the cold, she entered the theatre. Vinney followed. No one appeared to be about. The building was hushed. Only the persistent odour of burnt tobacco gave evidence that the actors and staff had been meeting all that morning.

”What did he tell you about it? And no, this isn't for publication.”

”Then why are you here?” She kept her brisk pace towards the auditorium with Vinney d.o.g.g.i.ng her stubbornly. He caught her arm and stopped her just short of the heavy, oak doors.

”Because your sister was my friend. Because I can't get a single word from anyone at the Met in spite of their long afternoon with our melancholy Lord Stinhurst. Because I couldn't get Stinhurst on the phone last night and I've an editor who says I can't write a syllable about any of this until we've some sort of miraculous clearance from above to do so. Everything about the mess stinks to heaven. Or doesn't that concern you, Irene?” His fingers dug into her arm.

”What a filthy thing to say.”

”I come by it naturally. I get particularly filthy when people I care for are murdered and life just cranks on with merely a nod of acknowledgement to mark it.”

Sudden anger choked her. ”And you think I don't care about what happened to my sister?”

”I think you're delighted as h.e.l.l,” he replied. ”The crowning glory would have been to be the one to plunge the knife yourself.”

Irene felt the cruel shock of his words, felt the colour drain from her face. ”My G.o.d, that's not true and you know it,” she said, hearing how close her voice was to breaking. She jerked away from him and dashed into the auditorium, only imperfectly aware of the fact that he followed her, that he took a seat in the darkness of the last row, like a lurking Nemesis, champion of the dead.

The confrontation with Vinney was exactly what she had not needed prior to meeting with the cast members again. She had hoped to use all of her lunch hour to reflect upon how she would perform the role that Sergeant Havers had schooled her for last night. Now, however, she felt her heart pounding, her palms sweating, and her mind taken up with a violent denial of Vinney's final accusation. It was not true. She swore that to herself again and again as she approached the empty stage. Yet the turmoil she felt would not be stilled by such a simple expedient as denial, and knowing how much rested on her ability to perform today, she fell back upon an old technique from drama school. She took her place at the single table in the centre of the stage, brought her folded hands to her forehead, and closed her eyes. Thus, it proved nothing at all for her to move into character a few moments later when she heard approaching footsteps and her cousin's voice.

”Are you all right, Irene?” Rhys Davies-Jones asked.

She looked up, managing a weary smile. ”Yes. Fine. A bit tired, I'm afraid.” That would be enough for now.

Others began to arrive. Irene heard rather than saw them, mentally ticking off each person's entrance as she listened for signs of strain in their voices, signs of guilt, signs of increased anxiety. Robert Gabriel gingerly took his place next to her. He fingered his swollen face with a rueful smile.

”I've not had a chance to say thank you for last night,” he said in a tender voice. ”I'm... well, I'm sorry about it, Renie. I'm most wretchedly sorry about everything, in fact. I would have said something when the doctors had finished with me, but you'd already gone. I rang you up, but James said you were at Joy's in Hampstead.” He paused for a reflective moment. ”Renie. I thought...I did hope we might-”

She cut him off. ”No. There was a great deal of time for me to think last night, Robert. And I did that. Clearly. At last.”

Gabriel took in her tone and turned his head away. ”I can guess what kind of thinking you accomplished at your sister's,” he said with aggrieved finality.

The arrival of Joanna Ellacourt allowed Irene to avoid an answer. She swept up the aisle between her husband and Lord Stinhurst as David Sydeham was saying, ”We want final approval of all the costumes, Stuart. It's not part of the original contract, I know. But considering everything that's already happened, I think we're within our rights to negotiate a new clause. Joanna feels-”

Joanna did not wait for her husband to argue the merits of their case. ”I'd like the costumes to reflect who the starring role belongs to,” she said pointedly, with a cool glance at Irene.

Stinhurst did not reply to either of them. He looked and moved like a man ageing rapidly. Managing the stairs seemed to drain him of energy. He appeared to be wearing the very same suit, s.h.i.+rt, and tie that he'd had on yesterday, the charcoal jacket rumpled, its sleeves badly creased. As if he'd given up interest in his appearance entirely. Watching him, Irene wondered, with a chill, if he would even live to see this production open. When he took his chair, with a nod of acknowledgement towards Rhys Davies-Jones, the new reading began.

They were midway through the play when Irene allowed herself to drop off to sleep. The theatre was so warm, the atmosphere on the stage was so close, their voices rose and fell with such hypnotic rhythm that she found it easier than she had supposed it would be to let herself go. She stopped worrying about their willingness to believe in the role she was playing and became the actress she had been years ago, before Robert Gabriel had entered her life and undermined her confidence with year after year of public and private humiliation.

She even felt herself beginning to dream when Joanna Ellacourt's voice snapped angrily, ”For G.o.d's sake, would someone wake her up? I've no intention of trying to work my way through this with her sitting there like a drooling grandmother snoring at a kitchen fire.”

”Renie?”