Part 4 (1/2)

Besides all that, Pop did not come in fawning and full of extravagant praise, as most scroungers will. He just a.s.sumed equality with us right from the start and he talked in an absolutely matter-of-fact way, neither praising nor criticizing one bit--too d.a.m.n matter-of-fact and open, for that matter, to suit my taste, but then I have heard other b.u.g.g.e.rs say that some old men are apt to get talkative, though I had never worked with or run into one myself. Old people are very rare in the Deathlands, as you might imagine.

So the girl and me just scowled at him but did nothing to stop him as he came along. Near us, his extra knives would be no advantage to him.

”Hum,” he said, ”looks a lot like a guy I murdered five years back down Los Alamos way. Same silver monkey suit and almost as tall. Nice chap too--was trying to give me something for a fever I'd faked. That his gun melted? My man didn't smoke after I gave him his quietus, but then it turned out he didn't have any metal on him. I wonder if this chap--” He started to kneel down by the body.

”Hands off, Pop!” I gritted at him. That was how we started calling him Pop.

”Why sure, sure,” he said, staying there on one knee. ”I won't lay a finger on him. It's just that I've heard the Alamosers have it rigged so that any metal they're carrying melts when they die, and I was wondering about this boy. But he's all yours, friend. By the way, what's your name, friend?”

”Ray,” I snarled. ”Ray Baker.” I think the main reason I told him was that I didn't want him calling me ”friend” again. ”You talk too much, Pop.”

”I suppose I do, Ray,” he agreed. ”What's your name, lady?”

The girl just sort of hissed at him and he grinned at me as if to say, ”Oh, women!” Then he said, ”Why don't you go through his pockets, Ray?

I'm real curious.”

”Shut up,” I said, but I felt that he'd put me on the spot just the same. I was curious about the guy's pockets myself, of course, but I was also wondering if Pop was alone or if he had somebody with him, and whether there was anybody else in the plane or not--things like that, too many things. At the same time I didn't want to let on to Pop how useless my right arm was--if I'd just get a twinge of feeling in that arm, I knew I'd feel a lot more confident fast. I knelt down across the body from him, started to lay Mother aside and then hesitated.

The girl gave me an encouraging look, as if to say, ”I'll take care of the old geezer.” On the strength of her look I put down Mother and started to pry open the Pilot's left hand, which was clenched in a fist that looked a mite too big to have nothing inside it.

The girl started to edge behind Pop, but he caught the movement right away and looked at her with a grin that was so knowing and yet so friendly, and yet so pitying at the same time--with the pity of the old pro for even the seasoned amateur--that in her place I think I'd have blushed myself, as she did now ... through the streaks of the Pilot's blood.

”You don't have to worry none about me, lady,” he said, running a hand through his white hair and incidentally touching the pommel of one of the two knives strapped high on the back of his jacket so he could reach one over either shoulder. ”I quit murdering some years back. It got to be too much of a strain on my nerves.”

”Oh yeah?” I couldn't help saying as I pried up the Pilot's index finger and started on the next. ”Then why the stab-factory, Pop?”

”Oh you mean those,” he said, glancing down at his knives. ”Well, the fact is, Ray, I carry them to impress b.u.g.g.e.rs dumber than you and the lady here. Anybody wants to think I'm still a practicing murderer I got no objections. Matter of sentiment, too, I just hate to part with them--they bring back important memories. And then--you won't believe this, Ray, but I'm going to tell you just the same--guys just up and give me their knives and I doubly hate to part with a gift.”

I wasn't going to say ”Oh yeah?” again or ”Shut up!” either, though I certainly wished I could turn off Pop's spigot, or thought I did. Then I felt a painful tingling shoot down my right arm. I smiled at Pop and said, ”Any other reasons?”

”Yep,” he said. ”Got to shave and I might as well do it in style. A new blade every day in the fortnight is twice as good as the old ads. You know, it makes you keep a knife in fine shape if you shave with it. What you got there, Ray?”

”You were wrong, Pop,” I said. ”He did have some metal on him that didn't melt.”

I held up for them to see the object I'd extracted from his left fist: a bright steel cube measuring about an inch across each side, but it felt lighter than if it were solid metal. Five of the faces looked absolutely bare. The sixth had a round b.u.t.ton recessed in it.

From the way they looked at it neither Pop nor the girl had the faintest idea of what it was. I certainly hadn't.

”Had he pushed the b.u.t.ton?” the girl asked. Her voice was throaty but unexpectedly refined, as if she'd done no talking at all, not even to herself, since coming to the Deathlands and so retained the cultured intonations she'd had earlier, whenever and wherever that had been. It gave me a funny feeling, of course, because they were the first words I'd heard her speak.

”Not from the way he was holding it,” I told her. ”The b.u.t.ton was pointed up toward his thumb but the thumb was on the outside of his fingers.” I felt an unexpected satisfaction at having expressed myself so clearly and I told myself not to get childish.

The girl slitted her eyes. ”Don't you push it, Ray,” she said.

”Think I'm nuts?” I told her, meanwhile sliding the cube into the smaller pocket of my pants, where it fit tight and wouldn't turn sideways and the b.u.t.ton maybe get pressed by accident. The tingling in my right arm was almost unbearable now, but I was getting control over the muscles again.

”Pus.h.i.+ng that b.u.t.ton,” I added, ”might melt what's left of the plane, or blow us all up.” It never hurts to emphasize that you may have another weapon in your possession, even if it's just a suicide bomb.