Part 1 (1/2)

The Evil That Men Do.

Stephen G. Michaud.

1.

”His Influence Is Everywhere”

You could say that Ted Bundy introduced me to Roy Hazelwood.

We first met on a russet Iowa autumn evening in 1984 in the crowded lobby of a Des Moines motel, where next day Roy and I were to address a professional symposium on serial murder.

The FBI man's presence lent the annual gathering considerable cachet. It also guaranteed the symposium's delighted organizers, a local college's criminal justice program, an SRO audience of veteran homicide detectives drawn to dozy Des Moines to hear the world's foremost authority on s.e.xual criminals.

My invitation had come on the strength of The Only Living Witness, the biography of Bundy that I'd published the preceding year with my coauthor, Hugh Aynesworth.

Ted was a figure of consuming interest to criminologists, and ours was the definitive treatment of his strange odyssey.

Once a dark legend throughout the West, a roving, phantom killer who murdered, undetected, for years, Bundy finally was convicted and condemned to death in Florida for the Super Bowl Sunday, 1978, bludgeon murders of two Chi Omega sorority sisters. He received a second death sentence for the throat-slash murder of a twelve-year-old Lake City, Florida, child, whose brutalized remains Ted had dumped beneath a derelict hog shed.

But it wasn't the horror of such crimes that made him stand apart in the minds of the police. Rather, it was Ted's extraordinary success. There were no living witnesses, besides Bundy, to any of his murders. Save for a single savage bite mark Bundy left in the b.u.t.tock of one Chi Omega victim, there also was not a single piece of incontrovertible physical evidence connecting Ted to any crime more serious than shoplifting. One prosecutor called him ”the man with no fingerprints.”

A onetime law student and young GOP volunteer in the state of Was.h.i.+ngton, Ted was handsome, witty, and poised, n.o.body's idea of a deviant killer. But behind what the late psychiatrist Hervey Cleckley, coauthor of The Three Faces of Eve, famously termed the sociopath's ”mask of sanity,” there was a hidden Bundy-the ”ent.i.ty,” as Ted first described him to me: a deviant killer who collected and preserved his victims' severed heads on cabinet shelves in his small Seattle apartment.

It was also the ”ent.i.ty” who sought credit for the murders, even as the public Ted indignantly disclaimed them.

In an effort to exploit this split between the public and private Bundy, Hugh and I asked Ted if he would speculate on the type of offender who might have committed the many homicides for which he was a suspect-put himself in the killer's shoes, so to speak.

Bundy, the supreme narcissist, promptly agreed to do so. He had much to tell.

On the audiotapes we later played for the detectives in Des Moines, Ted carefully explained what it was like to be a serial killer.

He said that a killer comes to hunting humans gradually. The appet.i.te builds from a young boy's undifferentiated anger and morbidity of mind to a search for ever more violent p.o.r.nography, the visual and written material that Ted believed had shaped and focused his fantasy world.

Then comes the window peeping, followed eventually by crudely conceived and unsuccessful a.s.saults. In Ted's case, these gave way, over time, to a sophisticated taste for the chase and its aftermath: the selection of what he called ”worthy” victims, pretty and intelligent young daughters and sisters of the middle cla.s.s, nice girls whom Ted desired to possess, he said, ”as one would possess a potted plant, or a Porsche.”

No multiple murderer before or since has so vividly communicated the essence of his urge as Ted did on those Death Row tapes, or taught law enforcement more about the ways of a serial killer.

In the end, Hugh and I would learn, the apparent mystery of Ted Bundy was really only a matter of failed perception. The skulls and necrophilia-Bundy revisited some victims in their woodland graves for days-so difficult to reconcile with his attractive public persona were ghoulish but hardly unique examples of how the s.e.xual criminal attempts to create a fantasy that complements his underlying motivations-in Ted's case, a monstrous hatred for women and a consuming, frantic quest for power-and then tries to realize that fantasy.

To the s.e.xual offender, possession is power, and total possession is absolute power.

Roy Hazelwood taught me that.

When I located Hazelwood that night in Des Moines, he was seated alone at a low table, savoring a nonfilter Lucky Strike and a sparkling gla.s.s of iced gin, habits he has since reluctantly abandoned. Roy's gaze was obscured by the amber lenses in his aviator frames-a look he'd acquired in Vietnam-and he was bathed in a haze of blue cigarette smoke.

Cl.u.s.tered in knots throughout the lobby were dozens of heavy-limbed middle-aged men, each with a practiced grip on his own c.o.c.ktail-hour libation. A glance at their weary eyes and wary posture immediately confirmed that here was a room full of cops.

”Roy Hazelwood?” I asked, approaching the celebrated FBI agent.

”Yes.” He stubbed out his Lucky. ”You must be Michaud.”

Hazelwood rose to extend his right hand. We shook.

”Have a seat,” he directed. ”Care for a drink?”

Roy wore a spiffy dark blue blazer, open-necked white s.h.i.+rt, gray slacks, and carefully polished black loafers, an arresting sartorial contrast to this writer in old chinos and the a.s.sembled homicide investigators in their cop mufti, double knits and short sleeves.

The scene is indelible in my mind, and years later the details still play exactly the same way in my memory. It's humid, and the icy c.o.c.ktail gla.s.ses sweat rings through paper napkins onto the damp Formica tabletop. Ecru tufts of stuffing poke up through a hole in the red Naugahyde seat of my chair.

But what turned an otherwise ordinary night into an ineradicable memory was the conversation with Hazelwood. By evening's end I'd already begun an extraordinary journey, a frequently harrowing fourteen-year exploration across the shadowy nether edge of human behavior, the psychic precincts of the s.e.xual criminal.

This book is the record of that trip.

Police departments from around the United States and Canada had paid $145 apiece for their detectives to attend the Des Moines meeting, a bargain ticket given some of the big-dog crime authorities scheduled to lecture.

Besides the meeting's top draw, Hazelwood, speakers included Cook County, Illinois, state's attorney William J. Kunkle, Jr. Four years earlier, Kunkle had won a death sentence for John Wayne Gacy, the portly bis.e.xual serial killer and Democratic Party operative who strangled or stabbed to death an estimated thirty-three of his s.e.xual partners, young men and boys, throughout the 1970s. Gacy buried more than two dozen of his victims in the crawl s.p.a.ce beneath his house in Norwood Park Towns.h.i.+p, a northwest suburb of Chicago.

Also in Des Moines was Sergeant Dudley Varney of the Los Angeles Police Department. Varney was a key investigator during LAPD's Hillside Strangler case of 1977 and 1978, the string of ten (and possibly more) brutal torture-murders for which serial-killing cousins Kenneth Bianchi and Angelo Buono ultimately were caught and imprisoned.

Another of the presenters was Bob Keppel, chief investigator for the Was.h.i.+ngton State attorney general's office, and probably the world's most experienced serial killer hunter. At the time of the symposium, Keppel was advising various law enforcement agencies in western Was.h.i.+ngton on the Green River Killer cases, the serial murders of dozens of prost.i.tutes that remain unsolved today.

Hazelwood brought to the Des Moines meeting an altogether different perspective. A member of the Bureau's elite Behavioral Science Unit, based at the FBI Academy at Quantico, Virginia, Roy's domain is the s.e.xual criminal's mental and emotional planes, the deviant mind's hot zones where l.u.s.t and rage are fused, and deadly fantasies flower.

No one knows this world better than he.

There are more than ten thousand homicides, rapes, suicides, accidental deaths, and miscellaneous acts of mayhem in Hazelwood's casebook. Among them are famous serial murders, savage ma.s.s murders, serial rapes, mutilations, explosions, a couple auto-amputations, multiple hangings, eviscerations, bludgeonings, staged deaths and faked rapes, stabbings, shootings, strangulations, garrotings, electrocutions, and a few poisonings.

Roy acquired this vast experience in the process of transforming the subject of s.e.xual crime investigation-once a scorned and degraded facet of police work-into a professional discipline at the FBI.

”His influence is everywhere,” says his friend and frequent collaborator, Dr. Park Elliott Dietz, the noted forensic psychiatrist and a heavyweight authority on aberrant criminality in his own right.

”There are very few people who have influenced any area of criminal investigation as profoundly as Roy Hazelwood has s.e.xual crimes. It is an influence that extends to the research community, to victims, to criminals he has brought to justice, to investigators who'd be lost were it not for the guide roads Roy has mapped out for them.”

In 1980, Hazelwood was the first BSU agent from the unit's underground office complex at Quantico dispatched to Atlanta to a.s.sist authorities with what became the sensational and highly sensitive Atlanta Child Murders case.

Later joined in Atlanta by his colleague, John Douglas, Hazelwood would be the first to tell local lawmen that their serial child killer undoubtedly was an African American male, probably in his twenties. Although it was clear nearly from the outset that more than one killer was stalking Atlanta's black children and youths from 1979 to 1981, the s.e.xual criminal whom Hazelwood and Douglas conjured from the crime scene evidence was Wayne Williams, twenty-three, a black photographer who ultimately was arrested, convicted, and sentenced to life in prison in conjunction with the Child Murders.

Like all BSU agents, Hazelwood also wrote criminal personality profiles, subjective portraits of aberrant UNSUBs (unknown subjects) drawn from the behavioral clues that those offenders inevitably leave at their crime scenes. Depending upon how rich a trove of behavioral clues is available for a.n.a.lysis, Hazelwood can infer an UNSUB's age, s.e.x, race, intelligence, education level, military history, type of work, car, clothing, marital status, sociability, hobbies, possible arrest record, and erotic preferences in his consenting s.e.xual relations.h.i.+ps, among other details of his daily life.

One of the first profiles Hazelwood ever wrote was of a predatory UNSUB who in May of 1978 molested and murdered a little boy in St. Joseph, Missouri.

On the afternoon of May 26, 1978, four-year-old Eric Christgen, scion of a prominent St. Joseph family, momentarily was left by his baby-sitter at a downtown St. Joseph playground as the young woman went into a store for a purchase. When she emerged a few minutes later, little blond-haired Eric was missing.

The next afternoon, Eric Christgen was found murdered in a rugged ravine near the foot of nearby river cliffs, about a twenty-minute walk from where he'd disappeared. He'd been sodomized and then asphyxiated.

The local investigation soon faltered, and a request went to the BSU for help on the case. Working with crime scene photos, police and witness reports, and what he knew about the sort of person who abducts, s.e.xually a.s.saults, and then murders little boys, Hazelwood constructed a word picture of the UNSUB.