Part 2 (1/2)
XV.
The right side in the National a.s.sembly consisted of men, the natural opponents of the movement, the n.o.bility and higher clergy. All, however, were not of the same rank nor the same t.i.tle. Seditions are found amongst the lower rank, revolutions in the higher. Seditions are but the angry workings of the people--revolutions are the ideas of the epoch.
Ideas begin in the head of the nation. The French Revolution was a generous thought of the aristocracy. This thought fell into the hands of the people, who framed of it a weapon against the _n.o.blesse_, the throne, and religion. The philosophy of the saloons became revolt in the streets: nevertheless all the great houses of the kingdom had given apostles to the first dogmata of the Revolution: the States General, the ancient theatre of the importance and triumphs of the higher n.o.bility, had tempted the ambition of their heirs, and they had marched in the van of the reformers. _Esprit de corps_ could not restrain them when the question of uniting with the Tiers Etat had been invoked. The Montmorencies, Noailles, La Rochefoucaulds, Clermont Tonnerres, Lally Tollendals, Virieux, d'Aiguillons, Lauzans, Montesquieus, Lameths, Mirabeaus, the Duc d'Orleans, first prince of the blood, the Count de Provence, brother of the king, king himself afterwards as Louis XVIII., had given an impulse to the boldest innovations. They had each borrowed their momentary popularity from principles easier to enunciate than restrain, and that popularity had nearly forsaken them all. So soon as these theorists of speculative revolution saw that they were carried away in the torrent, they attempted to ascend the stream from whose source they had started; some again surrounded the throne, others had emigrated after the days of the 5th and 6th of October. Others, more firm, remained in their places in the National a.s.sembly; they fought without a hope, but still defended a fallen cause, gloriously resolute to maintain at least a monarchical power, and abandoning to the people, without a struggle, the spoils of the n.o.bility and the church. Amongst these are Cazales, the Abbe Maury, Malouet, and Clermont Tonnerre: they were the distinguished orators of this expiring party.
Clermont Tonnerre and Malouet were rather statesmen than orators; their cautious and reflective language weighed only on the reason; they sought for the mean between liberty and monarchy, and believed they had found it in the system of the Two Houses of English Legislature. The _moderes_ of the two parties listened to them respectfully; like all half parties and half talents, they excited neither hatred nor anger; but events did not listen to them, but thrusting them aside, advanced towards results that were utterly absolute. Maury and Cazales, less philosophic, were the two champions of the right side; different in character, their oratorical powers were much on a par. Maury represented the clergy, of which body he was a member; Cazales, the _n.o.blesse_, to whom he belonged. The one, Maury, early trained to struggles of polemical theology, had sharpened and polished in the pulpit the eloquence he was to bring into the tribune. Sprung from the lowest ranks of the people, he only belonged to the _ancien regime_ by his garb, and defended religion and the monarchy as two texts, imposed upon him as themes for discourses. His conviction was the part he played; any other appointed character would have suited equally well; yet he sustained with unflinching courage and admirable consistency that which had been ”set down for him.”
Devoted from his youth to serious studies, endowed with abundant flow of words, striking and vivid in his language, his harangues were perfect treatises on the subjects he discussed. The only rival of Mirabeau, he needed but a cause more natural and more sterling to have become his equal: but sophistry could not deck abuses in colours more specious than those with which Maury invested the _ancien regime_.
Historical erudition and sacred learning supplied him with ample sources of argument. The boldness of his character and language inspired words which even avenge a defeat, and his fine countenance, his sonorous voice, his commanding gesture, the defiance and good temper with which he braved the tribunes, frequently drew down the applauses of his enemies. The people, who recognised his invincible strength, were amused at his impotent opposition. Maury was to them as one of those gladiators whom they like to see fight, although well knowing that they must perish in the strife. One thing was wanting to the Abbe Maury,--weight to his eloquence; neither his birth, his faith, nor his life inspired respect in those who listened. The actor was visible in the man, the advocate in the cause, the orator and his language were not identified. Strip the Abbe Maury of the habit of his order, and he might have changed sides without a struggle, and have taken his seat amongst the innovators. Such orators grace a party, they never save it.
XVI.
Cazales was one of those men who are themselves ignorant of their own powers until the hour arrives when circ.u.mstances call forth their genius, and a.s.sign to them a duty. An obscure officer in the ranks of the army, chance, which cast him into the tribune, revealed the orator.
He did not inquire which side he should defend; n.o.ble, the _n.o.blesse_; royalist, the king; a subject, the throne. His position made his creed; he bore in the a.s.sembly the character and qualities of his uniform.
Language to him was only another sword, and in all the spirit of chivalry, he devoted it to the cause of Monarchy. Indolent and ill-educated, his natural good sense supplied the place of study. His monarchical faith was by no means fanaticism of the past: it admitted the modifications conceded by the king himself, and which were compatible with the inviolability of the throne and the working of the executive power. From Mirabeau to him the difference of the first principle was not wide apart, only one decried it as an aristocrat, and the other as a democrat. The one flung himself headlong into the midst of the people, the other attached himself to the steps of the throne.
The characteristic of Cazales' eloquence was that of a desperate cause.
He protested more than he discussed, and opposed to the triumphs of violence on the _cote gauche_, his ironic defiance, his bursts of bitter indignation, which for the moment acquired admiration, but never led to victory. To him the _n.o.blesse_ owed that it fell with glory; the throne, with majesty: and his eloquence attained something that was heroic.
Behind these two men there was only a party, soured by ill-fortune, discouraged by its isolation from the nation, odious to the people, useless to the throne, feeding on vain illusions, and only preserving of its fallen power the resentment of injuries, and that insolence which was perpetually provoking fresh humiliations. The hopes of this party were entirely sustained by their reliance on the armed intervention of foreign powers. Louis XVI. was in their eyes a prisoner king, whom Europe would come and deliver from his thraldom. With them, patriotism and honour were at Coblentz. Overcome by numbers, without skilful leaders who understood how to gain immortal names by timely retreats; with no strength to contend against the spirit of the age and refusing to move with it, the _cote droit_ could only call for vengeance, its political power was now confined to an imprecation.
The left side lost at one blow its leader and controller; in Mirabeau the national man had ceased to exist, and only the men of party remained, and they were Barnave and the two Lameths. These men humbled, rebuked, before the ascendency of Mirabeau, had attempted, long before his death, to balance the sovereignty of his genius by the exaggeration of their doctrines and harangues. Mirabeau was but the apostle--they would fain have been the faction-leaders of the time. Jealous of his influence, they would have crushed his talents beneath the superiority of their popularity. Mediocrity thinks to equal genius by outraging reason. A diminution of thirty or forty votes had taken place in the left side. This was the work of Barnave and the Lameths. The club of the friends of the const.i.tution become the Jacobin Club, responded to them from without. The popular agitation excited by them was restrained by Mirabeau, who rallied against them the left, the centre, and the intelligent members of the right side. They conspired, they caballed, they fomented divisions in opinion all the more that they had not control in the a.s.sembly.
Mirabeau was dead, and now the field was open to them. The Lameths--courtiers, educated by the kindness of the royal family, overwhelmed by the favours and pensions of the king, had the conspicuous defection of Mirabeau without having the excuse of his wrongs against the monarchy: this defection was one of their t.i.tles to popular favour.
Clever men, they carried with them into the national cause the conduct of Courts in which they had been brought up: still their love of the Revolution was disinterested and sincere. Their eminent talents did not equal their ambition. Crushed by Mirabeau, they stirred up against him all those whom the shadow of that great man eclipsed in common with themselves. They sought for a rival to oppose to him, and found only men who envied him. Barnave presented himself, and they surrounded him, applauded him, intoxicated him with his self-importance. They persuaded him for a moment that phrases were politics, and that a rhetorician was a statesman.
Mirabeau was great enough not to fear, and just enough not to despise him. Barnave, a young barrister of Dauphine, had made his _debut_ with much effect in the struggles between the parliament and the throne which had agitated his province, and displayed on small theatres the eloquence of men of the bar. Sent at thirty years of age to the States General, with Mounier his patron and master, he had soon quitted Mounier and the monarchical party, and made himself conspicuous amongst the democratic division. A word of sinister import which escaped not from his heart, but from his lips, weighed on his conscience with remorse. ”Is then the blood that flows so pure?” he exclaimed at the first murder of the Revolution. This phrase had branded him on the brow with the mark of a ringleader of faction. Barnave was not this, or only as much so as was necessary for the success of his discourses; nothing in him was extreme but the orator: the man was by no means so, neither was he at all cruel.
Studious, but without imagination; copious, but without warmth, his intellect was mediocre, his mind honest, his will variable, his heart in the right place. His talent, which they affected to compare with Mirabeau's, was nothing more than a power of skilfully rivetting public attention. His habit of pleading gave him, with its power of extempore speaking, an apparent superiority which vanished before reflection, Mirabeau's enemies had created him a pedestal on their hatred, and magnified his importance to make the comparison closer. When reduced to his actual stature, it was easy to recognise the distance that existed between the man of the nation, and the man of the bar.
Barnave had the misfortune to be the great man of a mediocre party, and the hero of an envious faction: he deserved a better destiny, which he subsequently acquired.
XVII.
Still deeper in the shade, and behind the chief of the National a.s.sembly, a man almost unknown began to move, agitated by uneasy thoughts which seemed to forbid him to be silent and unmoved; he spoke on all occasions, and attacked all speakers indifferently, including Mirabeau himself. Driven from the tribune, he ascended it next day: overwhelmed with sarcasm, coughed down, disowned by all parties, lost amongst the eminent champions who fixed public attention, he was incessantly beaten, but never dispirited. It might have been said, that an inward and prophetic genius revealed to him the vanity of all talent, and the omnipotence of a firm will and unwearied patience, and that an inward voice said to him, ”These men who despise thee are thine: all the changes of this Revolution which now will not deign to look upon thee, will eventually terminate in thee, for thou hast placed thyself in the way like the inevitable excess, in which all impulse ends.”
This man was Robespierre.
There are abysses that we dare not sound, and characters we desire not to fathom, for fear of finding in them too great darkness, too much horror; but history, which has the unflinching eye of time, must not be chilled by these terrors, she must understand whilst she undertakes to recount. Maximilien Robespierre was born at Arras, of a poor family, honest and respectable; his father, who died in Germany, was of English origin. This may explain the shade of Puritanism in his character. The bishop of Arras had defrayed the cost of his education. Young Maximilien had distinguished himself on leaving college by a studious life, and austere manners. Literature and the bar shared his time. The philosophy of Jean Jacques Rousseau had made a profound impression on his understanding; the philosophy, falling upon an active imagination, had not remained a dead letter; it had become in him a leading principle, a faith, a fanaticism. In the strong mind of a sectarian, all conviction becomes a thing apart. Robespierre was the Luther of politics: and in obscurity he brooded over the confused thoughts of a renovation of the social world, and the religious world, as a dream which unavailingly beset his youth, when the Revolution came to offer him what destiny always offers to those who watch her progress, opportunity. He seized on it. He was named deputy of the third estate in the States General. Alone perhaps among all these men who opened at Versailles the first scene of this vast drama, he foresaw the termination; like the soul, whose seat in the human frame philosophers have not discovered, the thought of an entire people sometimes concentrates itself in the individual, the least known in the great ma.s.s. We should not despise any, for the finger of Destiny marks in the soul and not upon the brow. Robespierre had nothing: neither birth, nor genius nor exterior which should point him out to men's notice. There was nothing conspicuous about him; his limited talent had only shone at the bar or in provincial academies; a few verbal harangues filled with a tame and almost rustic philosophy, some bits of cold and affected poetry, had vainly displayed his name in the insignificance of the literary productions of the day: he was more than unknown, he was mediocre and contemned. His features presented nothing which could attract attention, when gazing round in a large a.s.sembly: there was no sign in visible characters of this power which was all within; he was the last word of the Revolution, but no one could read him.
Robespierre's figure was small, his limbs feeble and angular, his step irresolute, his att.i.tudes affected, his gestures dest.i.tute of harmony or grace; his voice, rather shrill, aimed at oratorical inflexions, but only produced fatigue and monotony; his forehead was good, but small and extremely projecting above the temples, as if the ma.s.s and embarra.s.sed movement of his thoughts had enlarged it by their efforts; his eyes, much covered by their lids and very sharp at the extremities, were deeply buried in the cavities of their orbits; they gave out a soft blue hue, but it was vague and unfixed, like a steel reflector on which a light glances; his nose straight and small was very wide at the nostrils, which were high and too expanded; his mouth was large, his lips thin and disagreeably contracted at each corner; his chin small and pointed, his complexion yellow and livid, like that of an invalid or a man worn out by vigils and meditations. The habitual expression of this visage was that of superficial serenity on a serious mind, and a smile wavering betwixt sarcasm and condescension. There was softness, but of a sinister character. The prevailing characteristic of this countenance was the prodigious and continual tension of brow, eyes, mouth, and all the facial muscles; in regarding him it was perceptible that the whole of his features, like the labour of his mind, converged incessantly on a single point with such power that there was no waste of will in his temperament, and he appeared to foresee all he desired to accomplish, as though he had already the reality before his eyes. Such then was the man destined to absorb in himself all those men, and make them his victims after he had used them as his instruments. He was of no party, but of all parties which in their turn served his ideal of the Revolution. In this his power consisted, for parties paused but he never did. He placed this ideal as an end to reach in every revolutionary movement, and advanced towards it with those who sought to attain it; then, this goal reached, he placed it still further off, and again marched forward with other men, continually advancing without ever deviating, ever pausing, ever retreating. The Revolution, decimated in its progress, must one day or other inevitably arrive at a last stage, and he desired it should end in himself. He was the entire incorporation of the Revolution,--principles, thoughts, pa.s.sions, impulses. Thus incorporating himself wholly with it, he compelled it one day to incorporate itself in him--that day was a distant one.
XVIII.
Robespierre, who had often struggled against Mirabeau with Duport, the Lameths, and Barnave, began to separate himself from them as soon as they appeared to predominate in the a.s.sembly. He formed, with Petion and some others of small note, a small band of opposition, radically democratic, who encouraged the Jacobins without, and menaced Barnave and the Lameths whenever they ventured to pause. Petion and Robespierre in the a.s.sembly, Brissot and Danton at the Jacobin Club, formed the nucleus of the new party which was destined to accelerate the movement and speedily to convert it into convulsions and catastrophes.